This week's live lesson: Strain, Pain & Vocal Health

Posted in Category Open Discussion
  • C
    Camille van Niekerk 3 years ago

    Join me on Youtube LIVE for a free lesson on strain, injury, and taking care of your voice like a pro singer! Here's the link: https://www.youtube.com/watch?v=s6HRdzfpT20.

    You can set a reminder, subscribe to the channel, and turn notifications on to never miss a new lesson. 

    The last 15 minutes will be live Q&A, so please join to get your questions answered! You can also drop some questions here on the forum, as always. See you there!

  • G
    Gerardo Gonzalez 3 years ago

    Yes!! This is awesome, i seem to always strain when trying to go higher or moving from my mid voice to my chest voice. Thank you!!

     

  • H
    Hosanna 3 years ago

    I already put a reminder on for it!😁 by the way for the lesson I will be using my mom's computer so it will say lensa kittila when I write a question.

  • C
    Camille van Niekerk 3 years ago

    See you guys there! :)

  • G
    Gerardo Gonzalez 3 years ago

    any tips to stop straining the throat when trying to reach higher notes?

     

  • C
    Camille van Niekerk 3 years ago

    Hi, Gerardo! Here is the basic principle I shared in the live lesson.

    A good approach to reducing tension is to:

    First pinpoint what is tensing! Then, either

    (1) move those muscles to prevent them from tensing in the first place (i.e.: softening and mobilizing your jaw so it cannot clench, or slowly shaking your head “no” to prevent the neck muscles from “grabbing”) 

    OR 

    (2) remove those muscles from the equation (ie: preventing tongue tension by singing with the tongue totally relaxed, out of your mouth and resting on your bottom lip). 

     

    The ultimate goal with all of the above is to let the correct muscles do their job without the "help" of those extrinsic muscles that are tensing.

     

    Additionally, make sure you're breathing (low and relaxed, as closely to the high note you're going for as possible), and shift registers if necessary (chest voice to mixed, or mixed to head voice). 

     

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